Showing posts with label Horror - supernatural. Show all posts
Showing posts with label Horror - supernatural. Show all posts

Tuesday, 29 May 2012

The Pact (2012)

Caity Lotz first came to my attention when she played ass-kicking Officer Kirsten Landry in MTV's horror mockumentary series Death Valley. The series is a parody of the COPS-style shows that follow law enforcement round as they do their jobs. Death Valley was slightly different. Instead of chasing bad guys, the members of the UTF (Undead Task Force) pursued vampires, werewolves and zombies. It was brilliant and I was gutted when MTV decided not to renew it for a second series. Lotz not only performed all her own stunts on the show but has a background in dance, stunt-doubling and martial arts and before becoming an actress, was a member of a girl group that had top ten hits in Germany. A talented young woman, I kept my eye on The Pact when I heard that she had been cast in it and I watched as it debuted at Sundance and was picked up for distribution. Having expected it to go straight to DVD, I was delighted to hear that not only would it be coming to the cinemas but that I had been invited to a preview screening. Brilliant!

The film begins with Nicole (Agnes Bruckner) at her childhood home, planning her mother's funeral and arguing with her sister over the phone. Her sister doesn't plan on coming to the funeral because of the way their mother treated them when they were younger. Nicole hangs up and skypes their cousin Liz (Kathleen Rose Perkins) to speak to her daughter, Eva (Dakota Bright). Eva sees someone behind Nicole and Nicole enters a darkened room. Annie (Caity Lotz) arrives at the house and finds that Nicole has vanished. Liz hasn't heard from her either and they speculate that as a former drug addict, Nicole has perhaps fallen off the wagon. Annie goes to sleep in her old room but is awoken by strange goings on.

The next day, after her mother's funeral, Annie meets up with Liz and Eva. There's still no word from Nicole and they go back to the house. That night, Annie dreams about the house, about a shadowy figure in it and her phone suddenly delivers her an address. When she wakes to go to the bathroom, Annie thinks she sees someone and investigates. What she finds is that Liz has disappeared. Suddenly, she is violently thrown around the living room by an invisible force and she runs from the house, re-entering to rescue Eva. Annie turns to the police, telling her story to detective Bill Creek (Casper Van Dien). He is unhelpful but after a series of ghost-filled dreams, mysterious addresses appearing on her phone and finding a room in the house that she had never seen before, she visits Stevie (Haley Hudson), a frail young psychic. Whatever the presence is in the house, it's pissed off and it's somehow connected to Annie's mother.

The Pact starts very well. It's creepy and has a good atmosphere and there are even a couple of good jumps too. Caity Lotz is very good as Annie, steely but also vulnerable. Haley Hudson is also excellent as the psychic Stevie. An emaciated waif, she looks as though she barely has enough strength to stand up, let alone contact the dead. Casper Van Dien is so haggard-looking that he's almost unrecognisable from the rugged young actor who played Rico in Starship Troopers. However, his role as the initially uninterested detective is mostly unnecessary and he's pretty superfluous. As a whole, the film is surprisingly well made, considering its low budget and it's sufficiently creepy with both a new idea and an interesting ending, somewhat of a rarity in the haunted house genre. It does slip a little towards the end when it resorts to the obligatory Ouija board scene but it's a good first effort from director Nicholas McCarthy.

A fresh and interesting idea, good performances and solidly executed. What more could you ask for?

7 out of 10.

Tuesday, 27 December 2011

Final Destination 5 (2011)

I was under the impression that The Final Destination was to be the last film in the franchise. How naive of me. The first four films in the series made over half a billion dollars from a combined budget of just one hundred and seventy-three million dollars. Why on Earth would they stop after just four films!

The problem facing the series is the same problem that the makers of Friday the 13th faced - you can only make so many films about Jason going around killing people before even the hardcore fans become disillusioned. What did they do after three films of stalk-kill-repeat ad nauseum? They killed Jason. Then they had a copy-cat Jason. Then they had zombie Jason. Then they had Jason vs Carrie and so on. But how can the Final Destination films do anything like that? The killer is death. Not a physical manifestation of death that the characters can challenge to a chess game but the disembodied, immaterial, "force" of death. Well, for a start, they can change the characters. Instead of a film full of teenagers, the characters are adults with jobs, spouses and career ambitions. Is that enough to stop the series from becoming stale and boring?

Yes. The characters are more fleshed out, more sympathetic, more... interesting. The cheap laughs are gone but the death scenes are better than ever. I don't think I'll ever be able to watch gymnastics at the Olympics again and I've always had the idea that at some point I'll get laser eye surgery. Yeah, not so much now. As with the rest of the films in the series, it begins with a premonition of a catastrophe, and this catastrophe is the best since the motorway pile-up of Final Destination 2. It's utterly brilliant and totally believable, a marvel of CGI and expertly directed. I haven't seen it in 3D, but from what I've read, the 3D actually enhances the effect, rather than being an annoying after-thought. The death scenes, as mentioned, are better than ever with some innovative twists and downright shocking ways for the characters to come to a sticky end. The demise of a particularly odious character during an acupuncture session provides perhaps the best thrill of all.

Tony Todd's return as William Bludworth is a welcome one and with him having signed up for Final Destination parts 6 and 7, it will be interesting to see if the creators take the series in a different direction or if they waste the opportunity. The ending is an excellent way to link the film to the preceding instalments and create new avenues for the series to explore.

In conclusion, Final Destination 5 is a much better film than I had anticipated. It's formulaic, but a spectacular disaster scene, effective characterisation and fresh and bloody deaths combine to make a worthy entry in the series.

7 out of 10.